All of us may be players on the world stage, still the question remains why we show the psychological responses to the happenings depicted from the fiction, whether in print or visual demonstration, just like in real life? Just like dreams our imaginations get introduced to us over the mental screen as though we had been watching movies or television. And just as in dreams the real world gets supplanted by the virtual universe although we are fully awake. That world still has perfect resemblance to the real one and what happening in it seems real due to something shifting in our cognition school. However, the mechanism which triggers our emotional responses stays unchanged and therefore we respond to the fiction in precisely the same manner as in real life.
Here we have some similarity with the virtual reality of the modern computer technologies, which is an artificial environment created by applications. It’s presented to the viewer in this manner in which the person temporarily suspends own belief pattern and accepts it as a true environment. In a way it isn’t different from the occurrence of being transported to the imagined universe of fiction, except that the computer performing the job is in the mind and we have no clue regarding what is the software and who is your programmer.
This brings us into the cause of emotional response. In respect to fiction the most frequent emotions are likes and dislikes that could turn into their stronger types of love and hate. In real life we love or hate a person because of a few attachment through kinship, friendship, or through indirect understanding of the individual. An individual cannot love or hate a person a person does not know in any way. Attachment can also be to other living beings, material things, and to imaginary things. We love or despise a story or even an idea. For a typical person it is not possible to live unattached to items in the world. If a person can eliminate attachment, one unites the rank of enlightened souls that are indeed rare. We carry our capacity and desire for attachment even into the imaginary world of fiction. We view the characters we come to know as the story progresses, form our preferences, and respond in the same manner like in real life except we cannot socialize with them physically. But we do interact together in our minds and hearts out of where the emotions come. All right, we have gone over the first couple of points concerning see this, of course you recognize they play a significant role. But there is so much more that you would do well to learn.
They will serve you well, though, in more ways than you know. Do take the time and make the effort to discover the big picture of this. We are not done, and there are just a couple of very strong suggestions and tips for you.
The fact is that at a specific sense itself is fiction. Like a narrative it has a beginning, an end, and also plenty of things in between. We do not know who writes this fiction nor will ever understand. Thus we have an innate affinity with fiction and cannot fully detach ourselves from it. And perhaps that’s the reason why, while reading or seeing fiction we get lost subconsciously in the wonderland of creativity, but for that brief period we operate exactly in precisely the same manner as we would in the real world of our perception. In that sense fiction is just invented reality.
Theme is why fiction matters, since it is the quality that gives the story a universal appeal. Some state theme is exactly what the story is about, but that’s too ephemeral a definition, which may get confused with all the idea or the storyline.
Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract concept behind the story forming the narrative’s heart and soul that the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the plot or the first idea that started the narrative. By way of example, a writer may begin with the concept of exploring family relationships between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the writer’s knowing of it in the beginning; however, more experienced authors typically work on their subject harder than any other part of the story as soon as they catch on to what it is they are writing about.
In non-fiction, the author is suggested to hone into his subject and start referring to it right at the very first paragraph. In fiction, on the other hand, the motif usually flowers through the writing as the story progresses.